Dr Jonathan James works mainly as a creative workshop leader, pre-concert speaker and presenter for venues, artistic organisations and orchestras throughout the UK.
Clients include the Royal Philharmonic Orchestra, Bournemouth Symphony Orchestra (where he is an Associate), BBC Philharmonic, BBC National Orchestra of Wales (as their ‘Discovery Guide’), National Children’s Orchestra, National Symphony Orchestra of Ireland, Czech Philharmonic and the London Philharmonic Orchestra, as well as concert venues such as: Cadogan Hall London, National Concert Hall Dublin, Usher Hall Edinburgh The Sage Gateshead, Bridgewater Hall Manchester, St David’s and Brangwyn Halls in Wales; Colston and St George’s Bristol; Anvil Arts Basingstoke; Cambridge Corn Exchange and Royal Concert Hall, Nottingham.
Jonathan’s school work is generally with the secondary sector, finding innovative ways of exploring the curriculum and set works, and with youth orchestras and music hubs. His workshops often involve creating pieces with instruments and voice which give an active and fun way of understanding themes, processes and forms in the music being studied. Every week he brings this expertise to his teaching sessions as director of the Bristol Pre-Conservatoire (see below).
To support these creative workshops, he set up, writes for and runs Spider Music, a quintet of acoustic improvising musicians who work across all styles.
An important part of the portfolio above is his role as an educational consultant and presenter for IMG Artists (Orchestra Tours division).
He writes regular educational resources for Rhinegold Publishing’s Music Teacher Magazine (online) and is often called on to lead teacher training events (e.g. formerly for Keynote Education). This season he is writing programme notes for the Cleveland Symphony Orchestra and Royal Philharmonic Orchestra.
He has been a presenter and expert interviewee for BBC Radio 3 broadcasts, commenting on a range of orchestral repertoire.
Jonathan is committed to seeing music in his home city of Bristol flourish, working as an advisor (past and present) to the Bristol Music Trust, Trinity Community Arts Centre (where he was a trustee) and the Bristol Old Vic Theatre (where he advised on the Bristol Proms). He founded the New Bristol Sinfonia, has chaired the Bristol Music Education Partnership, and set up the Bristol Pre-Conservatoire.
He also runs the Bristol Recovery Orchestra, an ensemble that supports people recovering from addictions. It was set up by the Bristol Drugs Project and runs in partnership with the Bournemouth Symphony Orchestra.
A bit of background:
Jonathan has been enthusing about music to concert audiences and in classrooms for over twenty years, ever since he started giving pre-performance talks as a conductor. His freelance work as a presenter, interviewer and workshop leader takes him all over the UK and into Europe.
As a conductor, Jonathan has worked in London, Europe and the States, including with the Royal Philharmonic Orchestra, Boston Philharmonic (as a Zander Fellow) and City of Prague Symphony Orchestra. He was principal guest conductor with the Bristol Ensemble for four years and was founder-conductor of the New Bristol Sinfonia. He had training from John Forster, formerly head of conducting at the Royal College of Music and at the Franz Liszt Music Academy in Weimar, Germany, as well as attending numerous international masterclasses.
With a PhD in Music Education and a qualified teacher, he founded and directs the Bristol Pre-Conservatoire, a prestigious evening school for talented young classical and jazz players. Whilst Head of Performing Arts for a Further Education college in Bristol (2007-12), he taught on a Rock and Pop performance course, and continues to teach jazz piano.
Jonathan James prepares original and imaginative educational resources for music concerts and events. He is able to provide high-quality written material, gauged perfectly for the target audience, be it adults or children. Jon is also an adept interviewer of musicians and conductors, and readily communicates his profound knowledge and understanding of the subject matter with great enthusiasm.Mary Harrison, IMG Artists, Orchestra Tour Manager
For his PhD at Bristol University, Jonathan explored definitions of musical creativity and devised the ‘reinvention method’ for encouraging advanced classical and jazz musicians to improvise together on equal terms.
Jonathan set up this evening school in 2012 to challenge and excite the most able young classical and jazz players in Bristol and surrounding regions. There is a big emphasis on creativity and learning from each other’s musical language, as well as more formal training in small ensembles.